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” His “From Afar” (“Desde Alla”) is among the breed of film that constantly invites us to project our judgments onto the characters while somehow withholding it internally.
The Venezuelan protagonist, Alfredo Castro’s enigmatic Armando, is among the blandest and most wishy-washy middle-aged men to (dis)grace the screen.
The idea of making a film about a man who struggles to connect emotionally to others was very attractive to me.
A sudden obsession towards this young man Elder is ignited.
The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers.
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He carries around resentment from past familial trauma, though it never really manifests in any kind of affect. He even denies himself sexual intimacy, choosing to pay to pleasure himself while looking at younger naked men … This colorless existence begins to change when one such boy for hire, Luis Silva’s Elder, violently rebels against his objectification.Op een dag ontmoet Armando Elder, een jonge gangster en lid van een lokale bende.Elder wordt een regelmatige bezoeker van Armando’s huis, voornamelijk gedreven door economische belangen.Maybe because Armando is a person that does not allow anybody to touch him and he is suddenly struck by a brutal hit.From this moment on, an illusion is created: to be capable of establishing a close emotional relationship with someone. Quotes (uit een greep van) recensie’s DESDE ALLA van Lorenzo Vigas premiere: 15 september 2016 “Seks als surrogaat voor iets dat veel ongrijpbaarder is.
He punches Armando in the face and steals a few trinkets on the way out the door.